
Growing up, I was never really into comics. I think my brother may have had a few, but they didn't spark my interest until now. Actually, I take that back. I loved the series of Batman movies produced in the 90s and thanks to my bother who was a Batman fanatic, we owned all of them. For the past few years, I've been studying comics and other graphic works for my own artistic research, and I've consequently delved into the world of comic novels along the way. Some of my favorites have been
Maus by Art Spiegelman,
Fun Home by Alison Bechdel, and now,
Persepolis by Marjane Satrapi, which I finished this week.
Persepolis was wonderful, so wonderful that I started and finished it in one day, and still had time to revisit my favorite parts. That's ultimately what makes my heart beat faster- starting a piece of literature and enjoying it to the extent that it pains you to put it down.
Originally printed in French,
Persepolis is comprised of two volumes:
The Story of a Childhood and
The Story of a Return. The autobiographical novel depicts her childhood up to her early adult years in Iran during and after the Islamic revolution and the title is a reference to the ancient capital of the Persian Empire, Persepolis.
In this charming, humorous memoir, Marjane Satrapi narrates and illustrates the political turmoil that marked her early years growing up in Iran in the 1970s and 1980s. The child of educated, Westernized Iranians, she depicts the confusion and contradictions of life under an authoritarian regime—whether that of the Shah or of the Islamic Republic. Taking pride in the members of her family who were persecuted and imprisoned for their resistance to the Shah's authoritarian rule and having witnessed her parents' participation in anti-Shah demonstrations, she rejoices with them at the eventual overthrow of the regime. But her joy is short-lived, for a new tyranny is instituted— that of the Islamic Republic. At the age of fourteen, her parents send her to a French school in Vienna, knowing that Iran is not a safe place for someone, especially a woman, of such an outspoken nature.

Reading
Persepolis immediately recalled my memory of the brilliant novel,
Reading Lolita in Tehran, which among many things, also deals with survival under an oppressive regime and recounts women's methods of resistance to the stifling of individualism and freedom of opinion. Azar Nafisi grew up in Iran but left her homeland in the 1970s, first to go to school in England and Switzerland, then to college in the United States. She returned to Iran just as the Shah's regime was collapsing. Like many middle-class Iranians, she had opposed the Shah's repressive dictatorship, but had never expected an even more repressive regime to take its place.
But what I love about graphic novels is how the art form itself makes my brain work differently, and how it plays a unique role in the interpretation of the narrative and our greater understanding of the relationship between literary content and its presentation. Not only are graphic narratives aesthetically intriguing, but they operate within a tradition, typically of the American superhero genre, devoted to motifs like heroism, control, oppression, and repression.
And while
Persepolis has received much criticism (‘her portrayals of Iranians and Iranian life are too black and white’), it’s neat to see more women writers and artists, in the pretty male-dominated world of comics and graphic novels, using the cartoon structure as a platform from which to speak- especially in the creation of memoirs, a genre which has historically been reserved for ‘distinguished and accomplished people of privilege, whose stories are worthy of being told.’
I'm excited to watch the 2007 film adaptation of
Persepolis this weekend, but in the meantime, if any of you have some reading recommendations, I'd love to hear them!